ELATED ANGUISH: Films & Videos by Michael Robinson
Saturday, 20 Oct. 2007, 8pm
Spark Contemporary Art Space
1005 E. Fayette St. @ S. Crouse Ave.
Syracuse, New York
$5
Michael Robinson In Person!
Please join Spark Art Space and Syracuse Experimental (Film & Media Workshop) in welcoming Chicago-based filmmaker (and Ithaca College alum) Michael Robinson for a screening of recent work on film and video.
Amy Beste of Chicago’s Conversations at the Edge sees Robinson’s work as “a deft mix of stunning beauty and nervy wit. He combines lush, often optically printed imagery with the electric fuzz of video-games, old movie footage, and dusty magazine layouts in pop-song scored cine-ballads that are at once cynical and sincere.”
Amy Beste of Chicago’s Conversations at the Edge sees Robinson’s work as “a deft mix of stunning beauty and nervy wit. He combines lush, often optically printed imagery with the electric fuzz of video-games, old movie footage, and dusty magazine layouts in pop-song scored cine-ballads that are at once cynical and sincere.”
Robinson writes, “For me, these films all make attempts at turning loss, heartache, failure, etc into something beautiful and exciting.”
Exploring the poetics of loss and the dangers of mediated experience, these award-winning works, which have screened at festivals around the world, cultivate resonances between seemingly disparate elements, distilling new integrities from otherwise commodified materials. "The sitcom-perfect world of Full House devours itself in the demonic Light is Waiting; National Geographic centerfolds unfurl into oblivion in You Don't Bring Me Flowers; and a radio tunes in karaoke transmissions from beyond in the elegiac And We All Shine On." (Amy Beste)
More at www.poisonberries.net
See also: http://www.magiclanterncinema.com/calendar-ea07.htm
Descriptions:
YOU DON’T BRING ME FLOWERS
2005, 8 minutes, 16mm color film with optical sound
2005, 8 minutes, 16mm color film with optical sound
Viewed at its seams, a collection of National Geographic landscapes from the 1960’s and 70’s conjures an obsolete romanticism currently peddled to propagate entitlement and individualism from sea to shining sea; the slideshow deforms into a bright white distress signal.
THE GENERAL RETURNS FROM ONE PLACE TO ANOTHER
2006, 11 minutes, digital video with stereo sound
2006, 11 minutes, digital video with stereo sound
Learning to love again, with fear at its side, the film draws balance between the romantic and the horrid, shaping a concurrently skeptical and indulgent experience of the beautiful. A Frank O’Hara monologue (from a play of the same title) attempts to undercut the sincerity of the landscape, but there are stronger forces surfacing.
TIDAL
2001, 6.5 minutes, 16mm color film with optical sound
TIDAL
2001, 6.5 minutes, 16mm color film with optical sound
A love story told through the newly-haunted home my parents shared for twenty five years. Second in a series of three films made within the year of my father’s death.
AND WE ALL SHINE ON
2006, 7 minutes, 16mm color film with optical sound
An ill wind is transmitting through the lonely night, spreading deception and myth along its murky path. Conjuring a vision of a post-apocalyptic paradise, this unworldly broadcast reveals its hidden demons via layered landscapes and karaoke, singing the dangers of the mediated spirit.
2006, 7 minutes, 16mm color film with optical sound
An ill wind is transmitting through the lonely night, spreading deception and myth along its murky path. Conjuring a vision of a post-apocalyptic paradise, this unworldly broadcast reveals its hidden demons via layered landscapes and karaoke, singing the dangers of the mediated spirit.
LIGHT IS WAITING
2007, 11 minutes, digital video with stereo sound
A very special episode of television’s Full House devours itself from the inside out, excavating a hypnotic nightmare of a culture lost at sea. Tropes of video art and family entertainment face off in a luminous orgy from which neither will survive.
CHIQUITITA AND THE SOFT ESCAPE
2003, 10 minutes, 16mm color film with optical sound
What began as an effort at proving nostalgia and sentimentalism to be purely mechanical processes became an argument for the opposite through its assembly. Twin attempts at structuring images of home and loved-ones break down in the face of the romantic.
VICTORY OVER THE SUN
2007, 12.5 minutes, digital video with stereo sound
2007, 12.5 minutes, digital video with stereo sound
Dormant sites of past World’s Fairs breed an eruptive struggle between spirit and matter, ego and industry, futurism and failure. For thine is the kingdom and the power and the glory; nothing lasts forever, even cold November rain.
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Elated Anguish: Films & Videos by Michael Robinson is co-presented by Spark Contemporary Art Space and Syracuse Experimental (Film & Media Workshop). This screening marks the continuation of a new collaborative relationship between Spark Art Space, Syracuse Experimental, and Roji Music / Roji Tea Lounge. Signaling an exciting new cultural initiative, these organizations are working together to bring a greater diversity of live music, film and video to the city of Syracuse, with the goal of creating a more vibrant, diverse and supportive community. Watch for further updates and events!
www.sparkartspace.com
syrfilmworks.blogspot.com
www.rojimusic.com
----------------------------------------------------------
Elated Anguish: Films & Videos by Michael Robinson is co-presented by Spark Contemporary Art Space and Syracuse Experimental (Film & Media Workshop). This screening marks the continuation of a new collaborative relationship between Spark Art Space, Syracuse Experimental, and Roji Music / Roji Tea Lounge. Signaling an exciting new cultural initiative, these organizations are working together to bring a greater diversity of live music, film and video to the city of Syracuse, with the goal of creating a more vibrant, diverse and supportive community. Watch for further updates and events!
www.sparkartspace.com
syrfilmworks.blogspot.com
www.rojimusic.com
